By William Goldman
As befits greater than 20 years in Hollywood, Oscar-winning screenwriter William Goldman's glowing memoir is as exciting as a few of the movies he has helped to create. From the author of Butch Cassidy and the Sundance child, all of the President's males and Marathon guy, Adventures within the reveal alternate is an intimate view of movie-making, of appearing greats akin to Redford, Olivier, Newman and Hoffman, and of the rigors and rewards of operating contained in the most enjoyable enterprise on the planet.
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Extra resources for Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting
A million a week for three weeks in two different movies, back-to- back. Six million for a month and a halfs work. He was the in- ternational star. Well, during that lime he made one movie, An Enemy of the People- -and no one would book it. ) The public didn't want McQueen in Ibsen, for chrissakes. They wanted bang-bang pictures, they had no interest in seeing him act. I'm sure McQueen knew that before he started An Enemy of the People. Just as I'm sure Reynolds knows where his power lies. So why docs he keep trying to expand his scope, why isn't he satisfied just doing Smokey?
00 per week. 00 per week. 1914: Miss Pickford re-signs for double her previous weekly fee. 00 weekly compensation. 00 per week-that was Charlie Chaplin's sti- pend. 00 inbonus money for signing. 1919; Fatty Arbuckle became the first star in history to be guaranteed a salary of one million dollars per year. Minimum. The war cry of the studios has been the same ever since: Every time the business is about to self-destruct, they can pinpoint the reason-it's the goddam greed of the stars. In the late sixties, the most recent crisis time till now, it was the Burtons' fault, each of them getting a million to co-star in such items as The Comedians and Boom!
And whatever theatre I walk into today, part of me, a large part of me, is still going to the Alcyon. . Part One Hollywood Realities Chapter one The Powers That Be It may well be pointless to try and isolate the great powers of the movie industry. Stars, studio executives, directors, and producers all circle in the same orbit, subject to the same gravitational laws. I have divided these powers nonetheless, in the hope that it may simplify matters and shed additional light on the moviemaking process as a whole.
Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting by William Goldman