By Heinrich Christoph Koch, Johann Georg Sulzer
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Additional info for Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch
The question then arises as to what the artist must think about in order to secure good relations between parts in each work. Various philosophers and artists have remarked that the most pleasing relations are those that can be expressed by the most easily measured numbers, such as those used for the consonances of music. One need not seek, however, answers that are so secret or mysterious here. The reason soon becomes clear when we view things in their proper perspective. A relation consists of two elements, since it entails comparison or contrast.
The six parts he identified - exordium, narration, proposition, confutation, confirmation, and peroration appeared to offer a valuable heuristic for the analysis and composition of all music. In fact, though, Mattheson s rhetorical analysis is more a taxonomy of musical structure than a prescription for the compositional process — and upon closer inspection not a very convincing one at that. 36) Sulzer appropriated from rhetoric not to parse art works into the partes orationis of Mattheson, but to divide the artistic process of creation into rhetorically inspired stages.
The enthusiasm of the heart, or the heated efficacy of the soul that are expressed primarily in one's sensations, are awakened by profound works in which we see nothing very clearly that the imaginative powers can hold on to, where the attention is directed from the object itself to what the soul is feeling and its own desires. In this way, one's mind loses sight of the object itself, and feels all the more its animated effects. The soul becomes, in essence, all feeling; it knows of nothing outside, but only of what is inside itself.
Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch by Heinrich Christoph Koch, Johann Georg Sulzer