New PDF release: Aesthetics of Silence

By Susan Sontag

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The next few chapters will show you how to build sus chords… CHAPTER 13 BUILDING SUS4 CHORDS The sus4 chord is the most common suspended chord. It sounds rather nice, kind of like clouds parting the way to heaven, like dreams coming true, like love blossoming in the spring air, like… Err…you get the picture! Check out of the formula for a sus4 chord… sus4 1 4 (5) 5 (2) It always helps to have the piano when you are building chords… I’m going to start off building something a little more challenging, like an Ebsus4.

Simple, just keep stacking oddnumbered letters. Check out how a ninth chord would look if you started on the letter C… C9 1 2 3 4 5 6 7 8 9 C D E F G A B C D Also, an eleventh chord… C11 1 2 3 4 5 6 7 8 9 10 11 C D E F G A B C D E F You get the picture. If you keep stacking up all of the letters that correspond to the odd numbers, you will get 9th, 11th, and 13th chords. The example I used is actually a C Major 9. There are many variations of 9th chords, 11th chords, and beyond. At this stage of the game, I’d rather see you master the chords that have been given in this book so far.

The next step after writing them out is to practice playing them on your instrument. This will take time, and lots of it. Study hard and practice! CHAPTER 12 INTRODUCTION TO SUSPENDED CHORDS Suspended chords have the largest variation in the formula so far. These chords are more commonly referred to as “sus” chords. Somewhere along the line, somebody decided that the word “suspended” took too much effort to say. There are three types of sus chords that you will see written… sus4 1 4 (5) 5 (2) sus2 1 2 (2) 5 (5) sus6 1 5 (7) 6 (2) So, what makes a sus chord a sus chord?

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Aesthetics of Silence by Susan Sontag

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